Chris Hannah

Camera


Some Thoughts on Smartphone Photography and the Rise of Good Photos Over Great Photos

I'm having a bit of a photography-obsessed afternoon today, and while I was researching people's opinions on using old cameras/phones for photography, I came across a video focussing on using an iPhone 7 to do street photography.

If I'm honest, I don't think the video review itself was very useful, or at least it wasn't what I was looking for. It seemed to focus on the raw camera qualities of the phone, being able to take super fast photos, and taking a really small crop and still being able to have it printed, rather than what kind of photos the camera produced. But it did make me think about what I appreciate about photography, so that's something.

There was one quote from the video that stood out to me though, although probably for different reasons than intended:

In Apple's quest to make every photo a good photo, sadly no photo becomes a great photo.

While I don't think it's particularly true that you can't take great photos on iPhones, or that this is a result of Apple's goal to improve its camera. I do think that in general, too much focus is put on taking a good photo, rather than creating a great photo.

When you watch reviews of cameras online, they spend the time talking about the fastest shutter speed, resolution, aperture, and battery life, but very rarely the characteristics of the photos that they produce. Maybe it's because I see photography as an art form, rather than an act of documenting the world. It could also be that this just is what modern photography is nowadays.

When I think about what a great photo is, it's never the level of detail in the image, or that every face is clearly lit. I care more about the feel of the photo and the mood that was captured. Maybe that's why I stray towards old cameras/phones, 35mm film, and "retro" camera apps.

There's definitely something about harsh shadows and a bit of grain that I appreciate, but I think it goes deeper than that. Film photos feel more like real life to me. Whereas I get the feeling that camera manufacturers (inc. Apple) want to remove the messy human element and create photos that are technically good but have no feeling to them.

I guess this somewhat relates to what Marques Brownlee said in his recent videos about the iPhone camera, where the emphasis was being placed on making every photo good, but in some cases, the photos felt unnatural, the sky was a little off, or the shadow from a face was removed. There's even a thing called the "Netflix Look" which is the accusation that everything on Netflix looks the same.

With the right skill and tools, you can take amazing photos on the iPhone, but it certainly feels like the rise of the smartphone and its emphasis on computational photography has led to a kind of photography gentrification.

Maybe the reason behind people becoming more interested in old phones, film cameras, and retro-camera filters, isn't just because of some TikTok trend. Maybe it's because they realised that there's more to photography than the generic smartphone sensor and post-processing effects.

Comparing Every iPhone Camera

MacAddress have just released a video where they go through the effort of testing every iPhone camera*, so they could see how it has evolved over the many years. It's pretty amazing to see what the cameras are capable of now compared to the original iPhone. (Although I'd still like to see a little less processing on current iPhones).

One thing they quickly rushed over in the video was that the 3GS is apparently gaining some popularity due to the style of photos that the 3MP camera produces.

PetaPixel published an article "TikTokers are Obsessing Over the iPhone 3GS Camera from 2009" which is also a fascinating read. After looking at the comparisons in that piece, I have to admit, photos taken on the 3GS do have a nice retro/film/nostalgic look to them, that I definitely find pleasing. I think I may have an old 3GS somewhere in my house, so I might need to experiment with that at some point.

*For reasons they explain in the video, this didn't include an iPhone 3G or 5.

What is Happening with iPhone Camera?

Marques Brownlee has made a great video about the iPhone camera, how it's evolved over the years, and it's position in the current landscape of software-based photography advancements.

9to5Mac also published a piece based on the video, around the subject of the exaggeration of the iPhone's post-processing techniques.

I don't feel like I have a particularly strong opinion on the iPhone camera, or even more specifically, it's post-processing. However, I do think it would be a good idea if there was a bit more control around this sort of stuff. I've had a few occasions where photos looked a bit odd, usually a sky being strangely blue (for Britain), or a sunset/golden hour scene missing the orange glow. So it would be nice to be able to at least see if turning off the various software tricks would improve that.

BeautyGate No More →

Nilay Patel, writing for The Verge:

Essentially, Smart HDR was choosing the wrong base frame for HDR processing when you took a selfie. Instead of choosing a frame with a short shutter speed to freeze motion and preserve detail, it would sometimes choose a frame with longer shutter speed. The front camera also does not have optical image stabilization, so it takes blurrier shots at the same shutter speed as the rear, stabilized camera. The result is a loss of detail that looks like smoothing on the front camera.

I knew it was something to do with Smart HDR, but it’s interesting to know the exact detail of why it was happening. 



Maybe one of the main benefits of computational photography, is that it can be continuously improved, and sent out in regular software updates. It’s intriguing to think what the difference in the camera will be in a years time, compared to how good it is now, even with no hardware change.