When one of these services or your subscription ends, your access to your media ends instantly.
After reading a recent article on The Atlantic, “What Will Happen to My Music Library When Spotify Dies?”, by Joe Pinsker (via Pixel Envy), I started to think about what is it to own your music.
I’ve been subscribed to various streaming services in the past such as Apple Music, Spotify, and Rdio. And with some basic maths, I can work out that if I’ve been streaming music for around 10 years (at least), and you put a rough average of £8 as a monthly fee (counting in some small discounts along the way), then that would mean a total of £960 spent on temporary access to music.
I don’t mean to create any hysteria by that figure, as it’s been over a ten year period, and I’ve no doubt enjoyed listening to the music. But I wonder how much it would have cost if I had to purchase every song that I listened to in that period. I currently have around 3,000 songs added to my Apple Music library, and I’ve surely listened to countless other songs as well. So it sounds like I’ve got my money’s worth. But I’m still suddenly left with nothing if this service goes away.
It’s certainly an interesting thing to ponder. Because on one hand, music streaming platforms give you access to their vast collections of songs and you can listen to them on practically every computer possible. But on the other, at no point do you own this media, you are merely paying for the privilege to have temporary access to someone else’s music.
When I think about ownership of media, I start to think about the music I’ve streamed, but also the books, audiobooks, tv shows, and movies that I’ve purchased digitally over the years.
And while I theoretically can access this media forever, these purchases exist solely in Apple’s ecosystem. There’s still something that I need to maintain to access my purchases. For without myself owning and using a device that can access the movies I’ve purchased from iTunes, these purchases are worthless. This means that they do not result in ownership, like purchasing a CD, instead what you own is access to this content on platforms that the distributor deems suitable.
One example is buying a movie. If you purchase a physical copy of a movie on DVD, then you are free to watch that DVD on any DVD player, or you can even transfer the movie to your computer into a digital file and have even more freedom. But if for example, you purchase a movie in the iTunes Store, then you have no control over the copy that you purchased. Sure, you can watch it on platforms that have access to your iTunes purchases. But what if for some reason, you lose access to your iTunes account? You can’t export the movie files, you can’t burn them to a disc, and there would be no way for you to access your purchases on any new device either.
Then again, is any of this actually a problem? The reason I purchase movies is to watch them multiple times. I really don’t care about the ownership aspect, I just want the privilege of on-demand access to the content that I like.
It also applies to music. It doesn’t matter whether or not I have control of the raw files, what I care about is being able to listen to my favourite songs whenever I want.
So maybe I don’t need to rush off and start my own personal media collection, as the balance of access to vast collections of content compared to the relative costs are currently working in my favour.
In the end, it comes down to personal preference. As always.
However, after this little thought experiment, instead of realising that streaming services are bad and that I need to “own” everything I consume — which is what I thought would happen — it’s led me to believe that the bigger problem lies right in the middle of streaming content and owning content. In the places where you are required to pay the premium of long-term ownership, but do not have total control over your personal copies.
Because yes, while using streaming services, you do only have temporary access to content. But at least that is reflected in the price that you pay. Just as you would pay more for a physical copy of a movie or album because you are paying for the control and ownership.
Therefore, while I’m not planning on quitting streamin services, I may stop purchasing media from stores such as iTunes, and instead, opt for a physical copy (usually that the same or lower price) which I then control and can store digitally if I so wish.
Over the past few days I’ve been setting up my own media server, and in particular, Plex. Plex is a great tool that can do wonderful things to your media collection, but the one thing that I just love is that it can take plain video files, an then give it so much context. It really makes your library something to look at.
The actual server itself is my old MacBook Pro, which I don’t think is the best machine for the job, but it’s the best spare machine I have available at the minute. I’m not going to write down all the specs, but it’s got an i5, 4 GB Ram, and a 1 TB hard drive. The only job of this machine however, is to manage my collection, the storage is a 3 TB NAS drive that I’ve had for a while.
At the minute I have three different libraries in Plex, one for all the movies I have downloaded, second for the TV Shows, and then I have also included my iTunes Media folder as a library, as I have a huge number of films in iTunes.
Now let’s get on to how I populate these libraries (Leaving some ethical behaviour behind of course).
The TV Shows are just video files that I have collected over the years and obtain manually, there are a few applications that can track new episodes, and even download them automatically, but I haven’t found any that I deem good enough. I don’t watch many tv shows, so a tiny bit of manual work isn’t a big deal for this.
My Movie collection is a mix, I have ripped some movies in the past (I hate DVDs), and also have a rather magical automation for downloading other movies I like. Here is a step by step process on how this automation works:
- Find a movie on Trakt, and add it to my watch list.
- CouchPotato finds new additions in my Trakt watch list, and then populates them in it’s own database.
- Every so often, CouchPotato will check to see if any of the added movies are available to download (with some quality preferences).
- CouchPotato then sends these links to download to Transmission, which is currently running as a local web server.
- Transmission will triage each addition, and with some specific restrictions like cumulative download limits and speed limits (that actually change depending on the time of day), start these downloads, and place them in the correct folder on the NAS.
- Plex Media Server tries to detect when new files are added to the libraries (It also checks regularly), and then it will analyse the media, add it to the library, and also put together all the needed metadata.
It’s a really fast process, and I enjoy how little work I have to do to make something happen. I’m sure the process may change in the future, but at the minute it feels pretty seamless.
This is definitely where my main content comes from, it’s where I get all of my favourite content. Even to a point where I will have a copy of a film, but I will then also purchase it on iTunes. Because it means I get the best quality available, any iTunes extras, and I also feel like it’s future proofing my movie collection slightly.
I’m starting to really see why I hear so many good things about Plex, it’s easy to set up, it work’s nearly everywhere, and it just makes my media collection look amazing.
Running my own media server is something I think I will take further, and if I can pick up a cheap Mac Mini soon, that may be the next step. With my Amazon Dot, and now this small project, automation is becoming a fun hobby.